OXIDANT | ENGINE : Issue 8
Hannah Loeb
Idaho Leftovers
Twice since Christmas,
older women who have loved me
imperially & at the exclusion of others
wrote that at first they found me
“eager,” warning their readers
not to misread me. So that was
a possibility? My footsteps
in the snow can mean
only one thing. The pigs know.
The lavender glow
of evening brings feed now
and feed only: with a month
to live (per James’s decree,
a different matter), Vernon’s
so big that scraps from our table,
the reason we even got the fucker,
amount to a cruel snack, almost
worse than nothing, so I let
a second shovelful of pellets rain
on his head while he froths
through the first, chewing
angrily. Is there nothing
that will make use of all,
and only, scraps? Poems
won’t -- even this one
hacks the tid bits I’m feeding it
back up & won’t swallow,
for instance, the pomegranate
I saw Petunia try. It turned her mouth
fuschia & I thought how great!
Or how I caught myself
in bed with James one morning
making a noise not unlike
the arctic moan enmeshed
with shit-cement the pigs make
when I approach the barn.
Immediately I re-remembered it
as animal abandon. But I won’t
misremember myself here: it was
culture pure, that dirty word,
if culture’s that distaste for
and reliance upon scraps,
a muted yell at the intersection of
wrecks, a selfish smell,
a pig-eye smashed
against a barn door
with the light going down
on Christmas...Well,
I can be misread after all. I’m writing
now about sex, as usual. About how
James can’t believe I’d make a noise
like a pig while fucking
so he forgets I did it, sets it
aside like a watermelon
rind and lets the pigs eat it.
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Redfish Lake
At elevation I borrow
Patrick’s dead wife’s puffy
​
coat and Elliot’s pregnant
wife’s daypack. The PDF
​
of her baby too high
in resolution’ll peel a pale
​
forehead across my iPhone soon
but the little service we get
​
goes to “ersatz” and cocoa mix
nutrition facts. Patrick’s not
​
the type of guy who notices
if you put the puffy
​
on the ground to serve yourself
cocoa mix, Pilar’s sure. Patrick’s
​
daughter is named Piper and
camping the first summer after
​
asked if the eclipse was her mother!
Marshmallows grow softer
​
than the store promised they would
in lukewarm water. I don’t know.
​
I breathe only
when the line is ringing & the line
​
is always ringing. James whom I’m
calling might die like puffy wife and
​
I might whisk the crinkled panic
of a life. You have to go until your arm
​
gets sore. Making whipped cream
does its harm. If he died I’d
​
fling a fiery why way down
to the shore. His face is inches
​
away but sometimes more.
You can put the coat on the ground
but you dare not put it on the floor.
Hannah Loeb's poetry has appeared in Ninth Letter, Booth, American Chordata, Prodigal, Sequestrum, Gasher, and Ornery Quarterly. In 2015, she earned her MFA from the Iowa Writers' Workshop, and she is currently a PhD candidate in English at the University of Virginia.